144 West Street, Greenpoint, Brooklyn MULTIFAMILY 144 WEST STREET, GREENPOINT, BROOKLYN PREVIOUS PROJECT NEXT PROJECT ARCHITECT GF55 PROJECT LOCATION 144 West Street, Greenpoint, Brooklyn PROJECT SIZE 21,700 SF PROJECT COST SCOPE Full MEP design and construction administration services. HVAC, sprinkler, plumbing and electrical power design and construction administration A new 25-unit luxury rental building on Greenpoint’s waterfront. The project contains a total of 13 studios, 10 one-bedrooms, and a pair of two-bedroom units. The building does not use natural gas or any other fuel for heating. The building is cooled and heated with a variable-refrigerant flow system in lieu of more conventional gas-fired boilers. Hot water for domestic use is generated via refrigerant-based heat pump water heaters. Not relying on gas for heating approach will save 150 metric tons of Carbon Dioxide emissions.

plumbing and fire protection systems HOSPITALITY 52-09 31ST PLACE, LONG ISLAND CITY, NY PREVIOUS PROJECT NEXT PROJECT ARCHITECT ARC ARCHITECTURE + DESIGN STUDIO, PLLC PROJECT LOCATION LONG ISLAND CITY, NY PROJECT SIZE 112,000 SF PROJECT COST NA SCOPE plumbing and fire protection systems MOROZOV has designed the plumbing and fire protection systems for this building.

CULTURAL PARRISH ART MUSEUM PREVIOUS PROJECT NEXT PROJECT ARCHITECT Herzog De Meuron, Douglas Moyer PROJECT LOCATION 279 Montauk Highway, Water Mill, NY PROJECT SIZE 34,000 SF PROJECT COST $ 30 million SCOPE Full HVAC design (as design engineer at Buro Happold) “Inspired by the natural setting and artistic life of Long Island’s East End, the Parrish Art Museum illuminates the creative process and how art and artists transform our experiences and understanding of the world and how we live in it. The Museum fosters connections among individuals, art, and artists through care and interpretation of the collection, the presentation of exhibitions, publications, educational initiatives, programs, and artists-in-residence” Born in 1897 as the Art Museum at Southampton, it was established by a New York lawyer, Samuel Longstreth Parrish, to house his holdings of Italian Renaissance paintings and 19th-century plaster casts; both the building and the collection were given to the Village of Southampton after his death. In the 1950s a local philanthropist, Rebecca Bolling Littlejohn, chartered the museum as an independent entity, named it for Mr. Parrish, and endowed it with her own collection of American painting, rich in work by Impressionists like Chase and Childe Hassam, as well as local artists of the era, like Fairfield Porter and Larry Rivers. Once home to Jackson Pollock, Willem de Kooning and Roy Lichtenstein, among many others, the area has been an artists’ colony since the 19th century. Today’s residents, full time or seasonal, include Chuck Close, April Gornik, Eric Fischl, Ilya and Emilia Kabakov, and Donald Sultan, as well as many more lesser-known names. In 2005 the Museum purchased fourteen acres in Water Mill, New York, and the Board of Trustees selected the internationally celebrated architectural firm Herzog & de Meuron to design a new and expanded building there. Ground was broken in July 2010, and the 34,400 square-foot building opened to the public November 10, 2012. Drawing inspiration from local barn houses, Herzog de Meuron envisioned a single-story structure — 94 feet wide and 634 feet long — with the building’s galleries arranged in two rows along a central corridor, designed for flexibility, with temporary walls so that the size of the rooms can be adjusted. The building is covered by two parallel pitched roofs — one for each row — with north-facing windows that take full advantage of the soft northern light. The building doubled the size of the existing facility with 12,000 square feet of flexible galleries, including the first galleries dedicated to permanent collection. The museum includes educational and multi-purpose spaces, café and kitchen. The design incorporates administrative offices and onsite space for storage and care of the permanent collection. To support the architect’s vision for a clean minimalist building, all mechanical equipment was tucked away in the cellar and crawl spaces. As part of design team at Buro Happold’s New York office, Mr. Morozov conceived a geothermal heating and cooling plant that took advantage of high water table below the site. Geothermal water was pumped from 6 standing column wells, circulated through reversible heat pump chillers and dumped into 6 discharge wells downstream. The reversible chillers use ground source water to generate 45-degree water in the summer and 85-degree water in the winter. For even better energy efficiency the heat pump chillers were paired with displacement ventilation. Unlike overhead air supply, displacement ventilation air cools or heats the space with moderately cool or warm air. Custom air-handlers also were located in the cellar spaces. Air distribution was limited to building’s perimeter with supply ducts running in the oversized crawl space.

Our Projects Cultural PARRISH ART MUSEUM PS 122 COMMUNITY ARTS CENTER UNITED NATIONS PERMANENT MEMORIAL YWCA OF BROOKLYN MULTIFAMILY COMMERCIAL HEALTHCARE HOSPITALITY RESIDENTIAL LANDMARKS CULTURAL

30 Third Avenue MULTIFAMILY YWCA OF BROOKLYN PREVIOUS PROJECT NEXT PROJECT ARCHITECT PROJECT LOCATION 30 Third Avenue PROJECT SIZE 180,000 SF PROJECT COST SCOPE HVAC design, energy efficiency, CHP feasibility The Young Women’s Christian Association was founded in 1888. The goal of the organization was to provide a meeting place for young women who were employed in retail stores, as office workers and other occupations throughout Brooklyn. These young ladies could listen to lectures, concerts, enjoy the reading room, and receive Christian instruction, if so desired. It was the first major organization of its kind in Brooklyn to be entirely run by women.

42 Sharon Street, Brooklyn RESIDENTIAL 42 SHARON STREET, BROOKLYN PREVIOUS PROJECT NEXT PROJECT ARCHITECT nC2 Architecture LLC PROJECT LOCATION 42 Sharon Street, Brooklyn PROJECT SIZE 3,600 SF PROJECT COST SCOPE full MEP/FP design and construction administration services A ground up construction of a single family home in Brooklyn. Morozov was retained as a project’s MEP engineer in part because the building’s complex interior geometry required a thoughtful approach that most small MEP firms lack. Morozov consulted the owner on high performance building strategies, such as passive heating and cooling, insulation and envelope air-tightness, intelligent lighting controls, highly efficient domestic water heating and continuous ventilation with energy recovery. With the exception of domestic water heating, the building does not use natural gas or any other fuel for heating, and is cooled and heated with a variable-refrigerant flow system. Highly insulated envelope, and fuel free heating are expected to save 15 metric tons of Carbon Dioxide emissions on an annual basis. Morozov efficiently and successfully secured utility connection approvals and assisted the client in resolving filing and approval issues.

325 West 93rd Street MULTIFAMILY 325 WEST 93RD STREET PREVIOUS PROJECT NEXT PROJECT ARCHITECT Union Street Studio PROJECT LOCATION 325 West 93rd Street PROJECT SIZE PROJECT COST SCOPE MEP engineering design and approval services for all mechanical, plumbing and electrical systems Designed by the prolific Upper West Side architect George F. Pelham for the developer Joseph H. Davis, this building was constructed in 1906 as a small multiple dwelling (flats) and once known as the Albea. Located on the north side of West 93rd Street ninety-eight feet east of Riverside Drive, this six-story building faced in red brick with ironspot headers and stone trim is seventy-five feet wide and dumbbell-shaped in plan. The facade is capped by a modillioned metal cornice. An original wrought-iron fire escape is located at the center of the facade. The owners retained Morozov in their bid to renovate and reposition the building as an upmarket rental property steps away from the Riverside park. Engineering scope included gut renovation of all vacant apartment units and building systems upgrade. A new high efficiency condensing boiler plant was designed to replace an outdated (once coal-fired) steam system. To fully take advantage of the condensing boiler efficiencies, all new hydronic radiators were selected around low water temperatures. Variable speed pumps were selected for low flow, wide delta-t of the water to minimize motor horse power. Domestic water was upgraded with indirect water storage tanks fed by boilers via plate and frame heat exchangers. Morozov team had to work around existing occupied apartments to minimize disruption to tenants. Morozov provided MEP engineering design and approval services for all mechanical, plumbing and electrical systems.

HVAC, sprinkler, plumbing and electrical power, fire alarm design and construction administration COMMERCIAL 79 WALKER STREET PREVIOUS PROJECT NEXT PROJECT ARCHITECT Stephen B Jacobs Group PROJECT LOCATION 79 Walker Street, New York PROJECT SIZE 21,500 GSF PROJECT COST SCOPE HVAC, sprinkler, plumbing and electrical power, fire alarm design and construction administration 79 Walker Street is a 6-story store and loft building constructed in 1869 for the rapidly expanding of the neighborhood’s textile trade. When completed, the building was occupied by manufacturing lofts, followed by a pocketbook manufacturer in the early 1900’s, hardware manufacturing and- most recently- an art gallery. The developers retained Morozov to support their ambitious conversion to a modern office catering to New York city’s tech and startup firms. Morozov provided MEP engineering design and approval services, working closely with architects and owners to upgrade building’s infrastructure and integrate state-of-the-art mechanical systems into the existing historic shell.

Design review, HVAC, sprinkler, plumbing and electrical power design and construction administration HEALTHCARE ST JOHN'S EPISCOPAL HOSPITAL (SJEH) ARCHITECT SBLM PROJECT LOCATION 1909 Plainview Avenue, Far Rockaway, Queens PROJECT SIZE 38,000 SF PROJECT COST 38,000 SF SCOPE Design review, HVAC, sprinkler, plumbing and electrical power design and construction administration Teaching Center at St John's Episcopal Hospital Morozov has been retained to take over design and construction administration of a 4-storey 38,000 SF teaching center on the campus of St. John's Episcopalian Hospital in Far Rockaway, Queens. St. John’s Episcopal Hospital is the only hospital providing emergency and ambulatory care to the densely populated, culturally and economically diverse, and medically underserved populations of the Rockaways and Five Towns in southern Queens County and southwestern Nassau County, New York. The 257-bed facility provides people of all faiths with comprehensive preventive, diagnostic, treatment and rehabilitative services, regardless of ability to pay. The new teaching center was conceived as an expansion facility to relieve congestion and provide new state-of-the-art training and teaching areas to support residency programs. The center comprises of exam rooms, lecture halls, simulation rooms, offices and classrooms. Two floors are designed to be fully compliant with New York State Health Law Article 28. The basement floor will be a new home to the hospital's IT department including its data center. In addition, the new facility is conceived to serve an emergency community shelter. Morozov team began the process with a comprehensive design review of all building systems designed by legacy engineer. In the course of the design review our team has found numerous opportunities for optimization of incoming services, sprinkler, mechanical and electrical systems, resulting in estimated $250,000 in construction cost savings to the project as well as savings in operating expenses.

7 DeKalb Avenue, Brooklyn NY MULTIFAMILY CITY POINT TOWER PHASE ONE PREVIOUS PROJECT NEXT PROJECT ARCHITECT SCLE PROJECT LOCATION 7 DeKalb Avenue, Brooklyn NY PROJECT SIZE 270,000 SF PROJECT COST $ 110 million SCOPE Energy Code Progress Inspections City Point Tower 1 is one part of 1.8 million square foot development of new construction, including retail, residential, entertainment, and office space spurred by 2004 Downtown Brooklyn Plan. The City Point project sits on City-owned property at a highly visible location along Flatbush Avenue and serves as a gateway to the Downtown area. Bordered by Flatbush Avenue, Gold Street, and Dekalb Avenue. Tower 1 is a mixed-income 19-story 251-unit residential tower above a four floor retail podium. OWNER Albee Tower 1 Owners LLC (BFC)

230 East 18th Street, Brooklyn, NY MULTIFAMILY 230 EAST 18TH STREET, BROOKLYN PREVIOUS PROJECT NEXT PROJECT ARCHITECT Aufgang PROJECT LOCATION 230 East 18th Street, Brooklyn, NY PROJECT SIZE 24,500 SF PROJECT COST Withheld SCOPE HVAC, sprinkler, plumbing and electrical power design and construction administration A new 26-unit luxury rental building in Prospect Park South neighborhood of Brooklyn. The project contains a total of 13 studios, 10 one-bedrooms, and a pair of two-bedroom units. The building does not use natural gas or any other fossil fuel for heating. The building is cooled and heated with a variable-refrigerant flow system in lieu of more conventional gas-fired boilers. Not relying on gas for heating approach is expected to save 150-200 metric tons of Carbon Dioxide emissions. In addition to efficient heating and cooling, the building’s fresh air is brought in via an energy-recovery ventilator (ERV). The ERV passively cools or heats the incoming fresh outdoor air by capturing energy of the indoor conditioned air.

COMMERCIAL FASHION TOWER PREVIOUS PROJECT NEXT PROJECT ARCHITECT GRT Architects PROJECT LOCATION 135 West 36th Street, New York, NY PROJECT SIZE PROJECT COST SCOPE GRT Architects recently completed the renovation and historic restoration of Fashion Tower, an Art Deco-era skyscraper in New York’s Garment District. The building was designed by Emery Roth, best known for his iconic pre-war residential towers including the San Remo and Beresford. Among the many buildings in what was once the epicenter of American clothing design and manufacturing, Fashion Tower is unique for its ornamental motifs referencing the apparel industry and for being occupied to this day by the garment trade. Motivated by the resurgence of the Fashion District and the building’s unique history, the current owner asked GRT Architects to restore the facade of the tower’s base while sensitively incorporating a contemporary lobby. Guided by Roth’s original drawings archived at Columbia University’s Avery Library, GRT Architects restored the exterior of Fashion Tower to its original splendor. Earlier renovations obscured a figured sandstone facade with layers of grey stucco and destroyed intricate detailing at the entry. Into a restored carved stone archway, GRT Architects added a minimal all-glass entry set back from the line of the masonry. True to Roth’s intentions, this portal is once again flanked by polychrome terracotta panels with peacock motifs— symbols of apparel, elegance and style. These peacocks rejoin surviving ornament that include winged putti holding shears and draping fabric, and women admiring their reflections and clutching spindles. A delicate façade cleaning revealed a richly veined sandstone cladding and forensic paint analysis was used to bring the appearance of cast iron spandrels and window frames back to the original. Inside, GRT Architects extended Roth’s stylized celebration of the fashion industry with a double-height lobby clad in pleated calacatta marble and bronze-tinted aluminium. The geometry of the lobby wall nods to folds in fabric while the scale and material palette play on the delicate balance between imposing and intimate that is a hallmark of New York Art Deco. Off-site CNC fabrication and on-site handcraft was used to realize a contemporary design in a classic material. Drawing upon the building’s history to prepare it for the next hundred years of service, the renovation reasserts the importance of fashion and style in a dynamic neighborhood.